REVIEW: ULTRAPHALLUS THE ART OF SPECTRES CD/LP (SUB ROSA, 2016)
Sub Rosa label now, following an association with Riot Season).
Practitioners of a peculiar style of downer experimental sludge rock, Ultraphallus’ music on The Art Of Spectres can be a difficult, doomed-out listening experience, referencing a variety of diverse, deviant musical influences (a few they cite include the Swans, Autechre, "death-metal," and the Residents!) and rarified cinematic obsessions. For instance, one brief 1:23 interlude here is titled “The Death Of Mark Frechette,” memorializing an event which I googled so you don’t have to – Frechette, the star of Antonini’s cult classic Zabriskie Point, died in 1975 at the age of 27 in a prison weightlifting accident. Ouch.
Elsewhere, though, the album's morbid, ominous atmospheres are a bit more epic than that, Ultraphallus doing everything in their considerable power to create emotionally weighty, creepily cinematic soundscapes. A fundamental framework of shaking, shuddering drone-distortion and trance-inducing percussive pummel tends to run throughout these seven tracks, over which strange, often distressed singing occasionally intrudes. The vocals never really get deathly like you might expect; instead their stylings range from weirdly whispery to almost warbly melodic. The proceedings are also laced with electronic effects, disembodied trumpet, rhythmic reveries, and surprising moments of ambient bliss - providing more of a moody and unusual context for the slow, lumbering, ultraphallic sludgery of the guitars. RIYL: Oxbow, Swans, Old Man Gloom, Today Is The Day, The Body, Hey Colossus, Gnod... (–Allan)
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